Saturday, November 16, 2019

PAC2019 Liner Notes

UPDATE, 6/26/2020: For the second fucking year in a row, i've failed to finish the liner notes. I've also failed to create and distribute the CDs. It's a miracle i've even gotten the track listings finalized in time.

This has been sitting here in draft form since last November. I'm just gonna publish it as-is, and maybe try to finish it later.

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This thing has really snuck up on me this year. In March, i moved to Los Angeles, got busy making films, and spent next to no time thinking about or looking for or doing damn near anything with music. Hell, Tegan & Sara and Sleater-Kinney released new albums this year and i...didn't...even...buy...them. I haven't even listened to them on Spotify or YouTube or anything.

What i did do, though, is follow my synthwave addiction from last year straight into a giant pile of electronic cocaine. Right before Amanda and i drove out to California, i strip mined Bandcamp for any and all synthwave albums i could get for free. This yielded 1213 songs, or 3.5 days of music. I dropped that into my iPod, along with the Feminachos playlist you may remember from the past few years, and the Amanda's Bands playlist (featuring all 12 bands that Amanda can recognize), and hit the road with that shit on shuffle. It was actually a pretty good mix. I continued to listen to it in the car for most of the year as i drove around my new city, from job to job, getting comfortable with all that beeping and booping mixed with my regular diet of crunchy guitars. I think i made it to about 3000 songs before the shuffle got accidentally reset. So much of what you're going to see here is a direct result of that decision.

1. Joslyn Sky - Drop Me Low
youtube.com/user/OfficialJoslynSky

When i dropped into downtown Los Angeles, a confused and bewildered 34 year old man who had lived his entire life in the county where he was born, the first thing i needed, obviously, was a place to stay. The friend i had initially planned to move in with had left LA just before i headed out, leaving me in a bit of a bind. Well, before leaving Wisco, i planned nothing, and on the drive, Amanda and i started paging through craigslist ads and other web sites. This led me to Artist Housing, or 807 as the residents call it, probably, maybe, or maybe the landlord just calls it that because he thinks it sounds cool and he hopes the hip kids that live there will adopt it. I went from living in a 1400 square foot house with just my wife and our pets, to sharing a 100 year old church with 36 strangers.

One of those 36 new roommates of mine was Joslyn Sky. I first met her in the hallway, where she was selling tickets to a rap showcase that she was playing. We talked for a few minutes, and then she mentioned she was shooting a promo video for her new album soon, and i asked if she needed any help with that. So, her album promo became the first project i worked on in LA. She ended up moving out of 807 not long after, well before i did, but even after that, i ended up on set as an extra for the video to this song, Drop Me Low. My scenes didn't make the final cut, but i'm still happy to have been part of it. And it helps that i like her music, and the video is cool. I certainly can't say that of all the music videos i've worked on in LA.


2. Tai.Kun - I'll Never Tell
https://www.instagram.com/taikunlofi/

I was on set pretty late working on Joslyn's album promo that night, even knowing that i had my very first job working on an actual film early the next morning. The film was called Incognito, the most ambitious student film in the history of Loyola Marymount University (LMU). That first gig was instrumental in my success in LA for a lot of reasons, not the least of which was meeting my friend Russell. I didn't find out until later, when Russell and i were working together on a different film, that he is also a musician, creating lo-fi hip hop beats under the name Tai.Kun. I was a stranger to this entire genre of music, but i've really enjoyed what he's played for me. I particularly enjoy this piece, and the fact that it uses samples from Cowboy Bebop is not the only reason why.

Oh yeah, also i finally watched Cowboy Bebop this year. People have been passionately urging me toward that show for years but somehow i've just never made the time. It's basically Lupin III in space. In other words, perfect.


3. melodysheep - Oh My!
melodysheep.com

Here's one from my Bandcamp Synthwave Collection. I don't remember exactly how i found my way to melodysheep, but i've actually been largely obsessed with his Symphony of Science album this year. It's 25 tracks of synthwavey goodness loaded with lyrics that are actual scientific facts, presented in a pleasing and easily parsed way. It's amazing. Since i had essentially done no work on the PAC this year up until early November, when i've usually closed it to new additions at the beginning of October and have a track listing locked down by Halloween, i had briefly considered just burning his shortened Best Of Symphony of Science and handing it out to friends this year. But, that would be unethical.

This track is not from Symphony of Science. It's one of his other mixes, featuring audio samples from The Wizard of Oz, which the record will show i was very into as a kid. Like i read L. Frank Baum's extended Oz universe books and everything. I just love how the line "follow the yellow brick road" comes across in this song.

For a long while i thought i'd be including two melodysheep songs, this plus a selection from Symphony of Science (most likely We Are Star Dust), but in the end it just wasn't working out. Here, just head over to Bandcamp and download the entire symphony of science for yourself. It's worth your time.

4. Le Matos - 58 Minutes in the Pool
lematos.com

Here's another one from my Bandcamp Synthwave Collection. I don't have much to say about this one, i just like it is all, i guess. The sample from 12 Monkeys, a movie i fucking love, is just icing on the cake. All of their stuff is pretty good though, i can recommend flipping through their whole discography.

5. Dan Terminus - Stratospheric Cannon Symphony
dan-terminus.bandcamp.com

Is not "Stratospheric Cannon Symphony" one of the most baller titles for a song you can think of???

So as i was hastily trying to decide what should get included this year, i immediately came to the problem that most of what i've listened to is instrumental, electronic music. Without a voice or lyrics, i have a hard time retaining a distinguishing feature of a song in my brain. And since i've mostly only listened to new music (ie, this playlist) while driving, driving in LOS ANGELES no less, it's tough to distinguish which songs really impressed upon me this year. It's not like i was sitting at a desk, doing a shitty data entry job i hate, with Pandora playing in a minimized window that i could just click over to and thumb up a song i liked. But the stereo in the Yaris interfaces with the iPod, and has a screen where it displays artist and title information. So i started concentrating on the artists whose names i had noticed popping up frequently on songs i liked. Dan Terminus was among them. So i sifted through all of his works that i had access to, and picked the song i liked the best.

And it's called "Stratospheric Cannon Symphony." Music is amazing.

6. Perturbator - Humans Are Such Easy Prey

PAC2019 Track Listing

1. Joslyn Sky - Drop Me Low
2. Tai.Kun - I'll Never Tell
3. melodysheep - Oh My!
4. Le Matos - 58 Minutes in the Pool
5. Dan Terminus - Stratospheric Cannon Symphony (f/Tommy '86)
6. Perturbator - Humans Are Such Easy Prey
7. Dance With the Dead - Banshee
8. Gost - Skull
9. Lunachicks - Jerk of All Trades
10. TAT - Pessimist
11. Tegan & Sara - Ocean
12. Santigold - GO! (f/Karen O)
13. Billie Eilish - Bad Guy
14. Tosca - Suzuki
15. Sofi Tukker - Déjà Vu Affair
16. Robert Parker - Jet Set
17. Mitch Murder - Action Tape
18. Kalax - Lightspeed
19. Gaden Rhoss - Zero Magnitude
20. Waveshaper - Radio Signal
21. Fitz and the Tantrums - HandClap

Sunday, November 10, 2019

Some 2017 Updates

In 2017, i made one crucial change to the disc right before i started mass producing them, but i never updated the blog posts to reflect this. I've done that now.

Thursday, November 7, 2019

PAC2018 Liner Notes

NOTE FROM THE FUTURE (11/7/2019): Holy fucking what, i never finished writing the liner notes last year? Goddammit. Well...i'm just gonna publish it as is, and maybe try to write something else later? I have been very bad at keeping up with the PAC for the last three years.

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It's that time of year again, actually slightly past that time of year, when i shout at length into the formless void of the internet about why i picked these specific songs to commit to archaic media and burden my friends with! Let's get started.

This is the first time i have ever pursued a specific structure with the song order, i find it incredibly pleasurable. Others...may find it jarring. Sorry? But only a little.

1. Mogwai - Ratts of the Capital

There's so much instrumental music on the comp this year. This is the only one of those songs that is not synthwave. I've really moved away from lyrics and vocals this year, which may have been foreshadowed last year a bit, but still is kind of surprising since i've long maintained that those are the most important bits of a song. The big problem with listening to so much instrumental music is that, without lyrics, it's essentially impossible to google a song if you don't know what it is. I spent so much time with just one of this track's massive guitar riffs stuck in my head between 2017-18 and i just could. not. figure out what the hell it was; i eventually had to make a Facebook post and try my best to describe it. It went...as well as could be expected.


That post was originally made on October 20, 2017. I had hoped to find the song in time to include it on PAC2017, and was convinced it was by either Russian Circles or Pelican. The date i made my last comment, that i fucking finally found the song? March 3, 2018.

So now i had the song, and i found out it was over eight minutes long. That would be the longest song ever included, and would probably take the total track count for Poor-Ass Christmas down by one or two or three songs from average. In years past i would never have considered such a thing. This year? Fuck it, opening track.

Before we move on, here's an only barely-related image i made several years ago of Amanda's face on a mogwai:


2. Dance With the Dead - Tales from the Boneyard

I really can't overstate how important the band Dance With the Dead has been to me this year.