Friday, December 25, 2015

Poor-Ass Christmas 2015 Liner Notes

The first year i actually put a link to this blog inside the CD art, i completely neglect to actually write the liner notes.

1. Sleater-Kinney - No Cities to Love
sleater-kinney.com

Sleater-Kinney, my favorite band of all time since 2007, is one band i never thought i'd get the opportunity to see live. They split up in 2006, something like six months before i actually discovered them. I'd never even been able to get out to see them individually, with their post-SK projects WILD FLAG, The Corin Tucker Band, or Quasi (not technically post-SK, i know, but let's move on). Then last year Bury Our Friends showed up out of nowhere, and all of a sudden they were back and touring and THEY HAD RECORDED AN ENTIRE GODDAMN ALBUM WITHOUT TELLING ANYONE. Seeing them early this year was an experience i can't put into words, so here's the title track from the new album.

2. Veruca Salt - Laughing in the Sugar Bowl
verucasalt.com

Veruca Salt's tour last year was roughly equivalent to what the Sleater-Kinney tour was to me this year, but i've already written about that. Their album, Ghost Notes, was finally released in July and absolutely lived up to the hype it was generating as the third proper Veruca Salt (ignoring Resolver and IV, which are now casually referred to as "Veruca Starship.") ABC News put Ghost Notes at #4 on their top 50 albums of 2015 list, which just makes me wonder what kind of world i'm living in where a mainstream media outlet besides AV Club actually put six albums that i bought this year on its best of list (ABC News knows about Speedy Ortiz? What?), but they didn't include No Cities To Love so it's not a sign of the apocalypse or anything, and i can still use a hipster scoff to dismiss them. Because i'm an asshole.

3. The Joy Formidable - Little Blimp
thejoyformidable.com

Continuing with this trend of bands whose live shows were life-altering experiences for me, we have The Joy Formidable. I've already written about that show a couple of times, but in the intervening years somehow i never picked up any of their albums. That changed this year, when a copy of their second full length, Wolf's Law, somehow made its way into the bargain bin at Half-Price Books, and reignited my interest in this band. I listened to it constantly for months, cursing previous incarnations of myself for not getting this into my life sooner. Every song is epic, and it totally works. This album is better than their first, by far, and they hadn't written it yet last i saw them. Hoping they come around again soon.

4. Screaming Females - Ripe
screamingfemales.com

The trend continues! I downloaded a free comp from No Idea Records in 2012 which included the song Buried In The Nude, had the opportunity to see them for free (plus a parking ticket) later that year, and just let them rip me to shreds. In the last three years i've consistently referred people to this band when they ask me for new music. They are the best band touring today. And this year, Rose Mountain became the first proper album that they've released since i discovered them, which would be a treasure in itself even if this were not easily the strongest material they've put out to date. I can't stress enough, and i think i've said this in every liner notes since 2012, that you have to see this band live. Whoever you are. Let their music pilot your soul for an hour.

5. Belly - Dusted

Unfortunately Belly, broken up since 1996, when i was but a wee bumpkin that listened to country music, has not jumped on the recent trend of female-fronted 90s alternative bands reuniting, which is definitely a trend that is happening and i couldn't be happier about it. Are male-fronted alternative bands from the 90s reuniting? I don't think so.

Anyway, i was using Spotify pretty heavily earlier this year and i went to make a playlist of all of my favorite songs of all time, and this was the first track that i added. I'm not sure why; it just kind of happened that way. But i liked that it happened, and i started putting my Belly albums on more often at home and at work, and it felt natural to drop this song onto the PAC this year.

6. Meghan Rose - In Your Bones
meghanrosemusic.com

A fixture of the Madison music scene, playing in multiple bands (including Damsel Trash, which you may recognize from last year's comp), Meghan Rose disappeared into Canada recently and reemerged with her first solo album, In Your Bones. I picked it up this year at a Damsel Trash show that included a taco bar and was also a roller derby after party. I think that sentence really says a lot about Meghan and her music and why i love it.

7. The Drain - Gun in Your Grave
facebook.com/thedrainmadison

This song was actually kind of on a PAC already - The Drain did a Wisconscene session in 2013 and played this song when it was new, and i included that on the bonus DVD that year. Well, they finally recorded it and put out a new album. I was incredibly impressed with the recording quality on their album, it sounds like it was done for a million bucks in LA. It's like being punched in the face over and over but in a good way. I wrote that sentence on purpose.

8. The (International) Noise Conspiracy - Up for Sale

The (International) Noise Conspiracy became one of my favorite bands so slowly, so subversively, that i didn't even notice it happening. They've probably been high in that pantheon for years. In 2008, i should have included A New Morning, Changing Weather on the comp but i was still so sick of everything we had listened to in New Zealand that even Biffy Clyro didn't make the disc that year.

While traveling through Ontario this July, i had forgotten to bring the aux cable to plug my iPod into the van's stereo with me, and was stuck for the first day and a half of my journey with only The Buzzcocks' Singles Going Steady and The Rolling Stones' Sticky Fingers to keep me and the dog company. When i did finally break down and enter a god damned Wal-Mart specifically to buy an aux cable, the first thing i put on was the Survival Sickness album. And that's when i realized just how high those play counts were. I regret only that this is another band that i will never have a chance to see.

9. Parov Stelar - Booty Swing
parovstelar.com

Amanda's roller derby team, the Reservoir Dolls, have a tradition of putting together a mixtape every year to introduce the rookies to the team, where each skater chooses a song to represent them. Last year, somebody had chosen Parov Stelar and Cleo Panther's collaboration Sally's Dance, which hit me in a weird way. Techno beats under swing music? What's happening? This year, i decided to investigate that a little further, and found that Parov Stelar isn't even the only artist doing this kind of thing. I've stumbled upon an entire genre called Electroswing, and through the magic of Pandora, have been plumbing its depths all year long. I had considered including more songs of this genre (hello, Caravan Palace!), but by the time i got there the PAC was already pretty loaded with rock tracks, and i'm still pretty happy about that, actually. But i wanted to include a hit of the gateway drug that led me down this path, so here's Booty Swing.

10. Lizzo - Batches & Cookies (f/Sophia Eris)
lizzomusic.com

I thought it was weird that Sleater-Kinney had chosen a rapper to open for them on their milestone tour this year, but after seeing Lizzo in action it all makes perfect sense. Sleater-Kinney was the perfect way to bring Lizzo's work to a wider audience, an audience that needs her. Which is everyone, really. Social justice on a popular platform that isn't mired in Tumblr's tangled web of bullshit and oneupmanship. Her messages are positive, supportive of all people and states of being. It's very good to hear these messages, especially in rap, which is often concerned mostly with spewing testosterone as hard and far as possible. I'm not very familiar with rap music in general, outside of what's on the radio and, by extension, internet popular culture, so if there are more gems like this out there, then hit me with them.

Lizzo's got a new album out now, too, so you can probably expect more next year.

11. Deluka - Mean Streak
facebook.com/deluka

What an energetic, upbeat song about domestic abuse.

I'm not sure what inspired me to even buy Deluka's album at all, i grabbed it at Borders when that went out of business a couple years ago, and i didn't really listen to it until recently. But in the early months of this year, i had this on constantly, thus perpetuating a trend of me being really into pop singers named some variation of Ellie (Ellie Goulding, Lorde (real name Ella Yelich-O'Connor), Elly Jackson from La Roux, and now Ellie Innocenti of Deluka).

12. Espectrostatic - Escape from Witchtropolis
facebook.com/espectrostatic

The first of two Alex Cuervo projects that Mike Cogley introduced me to this year, Espectrostatic is basically 80s horror movie soundtracks gone rogue. It's all instrumental electronic music, suitably creepy for Halloween, and also for the rest of the year if you're a horror enthusiast, or me. I've also been actively working on building a playlist of instrumental songs to listen to while i'm doing video work, and the two Espectrostatic albums have fit that bill nicely.

13. I am Dragon - Rise from Your Grave (Intergalactic Dragon Slayer)
facebook.com/iamdragonrock

My friends I am Dragon released their second EP, Triumphs, Doubt, and Everything Between, this year, which coincided with their return to Wisconscene. The first time i had them on the show, they (and, uh, kind of me also) were drunk out of their minds, and things went askew in an awesome way almost immediately. This time around, we've been filming in a dry studio, but they quickly proved that they didn't need the alcohol to find "askew."

14. The Buzzcocks - Something's Gone Wrong Again

I've been listening to a lot of classic punk this year, facilitated by a four-disc compilation on the roots of the genre that i picked up from the library. The Buzzcocks are also a band that my coworker and foil Robert has been telling me to listen to for years, ignoring the fact that i have been listening to them for years. As mentioned above, Singles Going Steady was one of only two albums that i had to listen to for the first 518 miles of my Canadian excursion. My current band, Cats on Leashes, also had toyed with the idea of covering Ever Fallen in Love earlier this year (conversation interpolation: Jeri: "Do you guys know The Buzzcocks?" Me: "Actually i had been kind of thinking of covering..." Jeri: [puts "Ever Fallen in Love" on from her iPhone] Me: "...that song exactly."). Coupling these three seemingly unrelated items, it only made sense to include a Buzzcocks song on the comp this year. I had initially been angling toward Ever Fallen in Love, but Something's Gone Wrong Again seemed more...me.

15. Hex Dispensers - Personality X-Ray
thehexdispensers.com

The second of Alex Cuervo's projects that Mike Cogley introduced me to this year is more punk. I've described Hex Dispensers to friends as Misfits-style guitars and bass with Ramones-style vocals, putting them right up my alley. I actually really want to cover this song. I just love yelling the line "That person is a nightmare factory!" alone in my car, and can't imagine that i wouldn't enjoy screaming it at an audience.

16. Sunny Day Real Estate - Seven
subpop.com/artists/sunny_day_real_estate

Shit you guys, why didn't anyone ever tell me about Sunny Day Real Estate? Oh wait, yeah, actually several of you have over the years, i just kept putting them on the "to do" pile and forgetting about them. I mentioned earlier in this long-winded, self-indulgent document that i had been using Spotify pretty heavily earlier this year. Well, over the summer, they changed their terms to something more unsavory, and i switched back over to Pandora. A station i'd built to include Cursive quickly started throwing Sunny Day Real Estate at me, repeatedly, and i got a little hooked. I entered the Mobyfort and extracted two of their albums which i had picked up years ago and apparently just filed away, and started giving them the attention they needed.

It's a little funny, i had originally intended to include a Sunny Day Real Estate song called 8, but decided against it, and listened through their albums a few more times to find a suitable replacement, eventually coming up with...Seven.

17. Cursive - Some Red Handed Slight of Hand
cursivearmy.com

Speaking of Cursive! Early this year they came around to the High Noon Saloon, probably the best place in Madison to see a bigger band, playing The Ugly Organ in its entirety as they were out on tour promoting the 10th anniversary deluxe reissue. I was originally hesitant to go, as i rarely go to concerts that cost more than $5 and i had already been to Sleater-Kinney and Helmet (20th anniversary of Betty tour) within the previous couple months, but Josh (at the time the bass player in my band) and Shayne talked me into it. Shayne's argument was something along the lines of, "Fuck you! I want to go to the show but they won't come to Indianapolis and you're UNDECIDED? FUCK YOU."

Obviously, it was very worth it.

18. Droids Attack - Astro Glider
droidsattack.com

One of Madison's finest. I woke up one morning with this song stuck in my head. I hadn't been listening to Droids Attack while sleeping, or anything for that matter, it just popped in there. In the dream, it was scoring a movie scene that was so badass that i don't even want to describe it here, because i am probably going to film it at some point in the future.

Droids have been promising a new album for years at this point, and i was hoping it would be out in time for Poor-Ass Christmas, but as i'm writing this it's actual Christmas and we still haven't seen its release. Come on, dudes, Must Destroy was five years ago now...

19. Foo Fighters - Outside
foofighters.com

Foo Fighters albums take a while to grow on me these days. When i was first getting into rock (see "wee country bumpkin," above), The Colour and the Shape was one of my touchstones, and after that i devoured Foo Fighters like gospel for the next ten years. Everything since Echoes Silence Patience and Grace, however, just has not hit me immediately. Wasting Light in particular i didn't like much at all the first time i heard it, but it's since become one of my favorite Foo Fighters albums. Similarly, last year's Sonic Highways was added to the Mobyfort on Black Friday, but didn't get much play until later this summer, possibly during the Canada trip. This song is the standout from that album for me.

If this keeps up, you can probably expect something from Saint Cecilia next year; i grabbed the free download on release day and i think i've only listened to it once.

20. Blind Melon - Toes Across the Floor

I never gave Blind Melon much of a chance, like a lot of people in the 90s. I've got their CDs sitting in the Mobyfort, but until recently all that's meant is that No Rain is on my 90s iTunes playlist. But a recent AV Club article, part of their series on the 20th anniversary of 1995, extolled the virtues of Blind Melon's final studio album, Soup, and encouraged me to give it another look. What i found is that No Rain was never indicative of Blind Melon's sound; they were all proficient musicians who never fit a mold and therefore had a hard time establishing an audience and getting a hit. The record company also didn't respect them, probably because they didn't respect their record company (which is a common sentiment among the types of bands i tend to like), and could never make much headway. Listening to Soup now, after reading that lengthy article on the album, has really given me a new appreciation for that much-maligned 90s alt rock outfit.

21. The Submarines - 1940 (AmpLive remix)
thesubmarines.com

Here's one of the artists i've discovered by plugging Parov Stelar into Pandora. They're not so much electroswing, per se, but they fit in with that crowd. I'd heard this song pop up in the shuffle, but forgot to give it a thumbs-up or mark it in any way, which made trying to find it later for inclusion on the PAC rather difficult. I had torrented their album, yielding the regular version of 1940, which i thought was what i was looking for, but it didn't sound quite like i remembered. After burning the beta test of this year's comp and listening to it in the car a bit, i decided that i needed to investigate this further, and then found this remix.

Honestly, i could do without the faux guitars and weird computerized opening voiceover that the remix has, but i like the backbeat and the vocals on this version much more than the original. Don't get me wrong, the original track is pretty great also and i wouldn't have hesitated to drop it on this album, but the AmpLive remix exists.

22. In Kahoots - Stepping Stones

There are two things i know about this band. 1. They are (or were) from Indianapolis. 2. They had a song on the Indy mp3 Project Compilation, and that song was this song. I picked that compilation up at an Indianapolis Half-Price Books for twenty-five cents. I've been searching, but i can't come up with a damn thing on this band. I just really like this song.

23. The Applicators - My Weapon
theapplicatorsatx.com

I mentioned last year that i put all of my (arguably) punk compilations on a playlist and hit shuffle. Well, that action has once again led me to a great find, one of my new favorite bands, The Applicators. This was the song that popped up on that shuffle, and as soon as i heard it i knew it was going to be the closing track on this year's PAC; it's got exactly the right energy to finish off a blistering set of rock tracks. I looked up The Applicators on Spotify and i've been enjoying both of their albums fully, including the best damn Sleater-Kinney cover i've heard.

From Wikipedia, i thought that they were broken up, but just now i've discovered that they are either still around or have reformed and put out another album. It truly is Christmas, you guys.

Sunday, November 22, 2015

Trevor's Poor-Ass Christmas 2015 Track List

1. Sleater-Kinney - No Cities to Love
2. Veruca Salt - Laughing in the Sugar Bowl
3. The Joy Formidable - Little Blimp
4. Screaming Females - Ripe
5. Belly - Dusted
6. Meghan Rose - In Your Bones
7. The Drain - Gun in Your Grave
8. The (International) Noise Conspiracy - Up for Sale
9. Parov Stelar - Booty Swing
10. Lizzo - Batches & Cookies (f/Sophia Eris)
11. Deluka - Mean Streak
12. Espectrostatic - Escape from Witchtropolis
13. I am Dragon - Rise from Your Grave (Intergalactic Dragon Slayer)
14. The Buzzcocks - Something's Gone Wrong Again
15. Hex Dispensers - Personality X-Ray
16. Sunny Day Real Estate - Seven
17. Cursive - Some Red Handed Slight of Hand
18. Droids Attack - Astro Glider
19. Foo Fighters - Outside
20. Blind Melon - Toes Across the Floor
21. The Submarines - 1940 (AmpLive remix)
22. In Kahoots - Stepping Stones
23. The Applicators - My Weapon

Trevor's Poor-Ass Christmas: Decade 1 Retrospective Liner Notes

So I've been wanting to do this for a while now. I think i had the idea in 2011 or 12, actually, before we'd even crossed a full decade of PAC. Then in 2013, when i was working up Volume 10 and had already decided it was going to be a double-disc release, it seemed like that would be the time to do the retrospective. But then i realized that the second disc would, necessarily, either contain tracks that were already on the first disc, or else cover only the nine years previous. Nine years does not a decade make.

Doing it in 2014 still seemed too soon; i didn't want to repeat tracks that had just been used the year before. So here we are, 2015, year 12 of the Poor-Ass Christmas, and the time seems right to take a look back at the first ten years. Most of these are from years when i didn't write liner notes, so i'm going to have to just assume i have a fucking clue what my younger counterpart had going on in his perhaps-less-broken brain.

The idea is this: find which songs from each Poor-Ass Christmas Compilation have held up over the years. Which ones i'm still keeping in heavy rotation. Which ones i'm least embarrassed of. With one exception, i've kept it to exactly two tracks per compilation, which made me think critically about what was really necessary to this project, and forced me to make hard decisions...especially as we get closer to present day.

Initially i had not intended to keep them in chronological order, but after i had made my decisions and went to sequence the disc, i found that they actually work pretty well that way, except for putting Systematic's Glass Jaw as track 2. I ended up replacing it entirely, which may have been the better bet.

2004: Le Tigre - Deceptacon

In 2004, i was just one year out of high school, and my musical tastes still showed it. I hadn't yet discovered riot grrl, not really, so the presence of a Le Tigre song on my inaugural Christmas compilation may seem really out of place. In fact, this track, the closer that year, was the only song to feature female vocals at all. I was clearly a very different person back then.

So how did i come across this song? Well, at the time, i was heavily into perusing Newgrounds.com, a community of Flash artists who would post their cartoons and games for the world to experience. Yeah. Well, there was this short-lived animated series on the site called Bonerplex that i enjoyed. It was mostly pointless banter between a couple of characters that didn't move much, but i somehow found it hilarious. I was nineteen. Jesus. Anyway the artist had used Deceptacon for the closing credits on the first episode, which in retrospect seems incredibly off base, now that i know quite a bit more about Le Tigre and riot grrl music in general.

So it's no surprise that this song, standing alone in a sea of nu-metal and 90s alternative holdovers, is what's stuck with me most off of that comp.

2004: The White Stripes - Dead Leaves and the Dirty Ground

The White Stripes are the only other band on the 2004 disc to even feature a female member. God damn, my music collection was a sausagefest back then.

This song was my introduction to The White Stripes; somehow i had entirely missed the arrival of Fell In Love With A Girl and the genre revolution that it sparked. But late one night, with MTV on as i was going to sleep, this music video came up in the rotation, because MTV did that at night back then. I was immediately taken with it; this song just felt like something special to me, and i treasured it. I downloaded it off of Napster (2004 was a fucking magical time), and held it close. No one in my school was into The White Stripes, and i had written them off as a one hit wonder band. And then Seven Nation Army happened.

2005: Cats Not Dogs - The World's Fair 1962

I was kind of an unofficial roadie for Cats Not Dogs in the mid 00s. I got kind of passed around from band to band for a while, starting with my friends Forever Virgins, who led me to Knife Party, who led me to Cats Not Dogs (then called The Shattered; they would change their name right before releasing their first EP). From, i want to say 2003, until their breakup in 2007, i filmed them, helped them move their gear, and even named their last EP. 2005 was the year they released their only full length, Rouge, and the CD release party to this day remains one of the top 10 best live shows i've ever attended. This was my favorite song on an album full of favorite songs, but maybe only because they left All Hail off. They recorded it for the album; Jason just thought his vocal performance was crap, so they left it off. My former band, damidol, would go on to cover All Hail in 2013 for the Local Love Fest compilation; it wasn't until after that event, 8 years later, that i would hear the Cats Not Dogs album version of All Hail. Once i did, i ended up agreeing with Jason.

Man, this entry became word diarrhea fast.

2005: Yasushi Ishii - The World Without Logos

Anime has never really been one of my things. I had seen and enjoyed Trigun and Spirited Away, but that was about as far into that rabbit hole as i had ever gone. In fact, sitting on the couch in her basement and watching Spirited Away was one of Amanda's & my first dates. I think we did that a week before we were official, actually. Anyway! Digression!

But in 2005, lying on Amanda's parents' bed and surfing through their 76 million satellite channels, we somehow accidentally caught three episodes of Hellsing. I was hooked, hard. I seriously cannot explain to you exactly how quickly and deeply i fell into this show. I immediately bought the DVDs, and after consuming the full series a couple of times, started picking up the manga. Then the soundtracks. The first Hellsing soundtrack, Raid, by Yasushi Ishii, is a fucking masterpiece. Listen to it with headphones on.

This is also the opening theme song to the series, by the way. Hellsing was the first, and probably still only, series that Amanda and i binge watched and never skipped the credits, beginning or end, just because we loved the music so much.

2006: Agent Sparks - Camouflage

Jason, of Cats Not Dogs fame, above, introduced me to both Veruca Salt and Jeri Casper around the same time, in 2005. So in 2006, when what was left of the former was coming to town with a new album, the latter and i picked up some tickets and headed up to The Majestic to sit in their weird-ass couches and revel in the Louise Post. After the show, i got to talk to her for a few minutes, and hug her, and turn into an embarrassing mess of a fanboy. Yeah...it wasn't good.

But what's important here is the opening act, Agent Sparks. Their performance was breathtaking. I can't say as i remember it very well at this point, but i was impressed as hell, particularly at this song. After their set, i caught them out in the lobby hawking their wares, and picked up a tour-exclusive EP with a bonus DVD in it. When i listened to it later, i was ecstatic to find that this song was on it.

And i had that conflicting emotion of being pissed off and excessively excited when, months later, i found out that two of the members of Agent Sparks used to be in Audiovent, who were one of those bands that i put up on the highest pedestal i had available to me years before and never let down. Fucking Audiovent. I met two of the guys from Audiovent and didn't even fucking know it!

2006: Human Waste Project - Dog

Human Waste Project had collaborated with Korn on a track called This Town at some point. In the heyday of the original Napster, i had been scouring the exchange (see what i did there, old people?) to find as much rare Korn material as possible, attempting to assemble a box set of every single recording they had ever made. God damn, it was painful to type that sentence. Shit, 21 year old Trevor, GET IT TOGETHER.

Invariably, This Town landed on my hard drive. Another hobby i had at the time, or "problem addiction" as it might be referred to now, almost 10 years later, was picking through Half Price Books' dollar bin and purchasing anything i was even remotely familiar with, which is how i built up the Mobyfort. Back in those days, i was not picky, not AT ALL. So, knowing the name "Human Waste Project" only from an unverified Korn collaboration i had downloaded from a sketchy data trading portal and listened to maybe a couple times, i dropped the dollar on their album e-lux. And unlike much of the actual waste that i acquired during those dark days, this one i have never regretted.

2007: The Knife - We Share Our Mothers' Health

This is where my musical tastes really started changing. I started working at Newborn Screening in 2006, just a lad of 21, head full of nu-metal, but a real thirst for learning as much rock and roll as i could. I already had the aforementioned Jason Loeffler dropping much better material on me from time to time, but suddenly spending 8 hours a day with the twin influences of Mike Cogley and Robert Johnson really started expanding my horizons exponentially. They made me feel ashamed of listening to so much Korn. And i feel like that was the right thing to do. Because separating me from my whiny teenager thrash was the only way to get me into music with substance.

The Knife's Silent Shout was one of the first albums that Mike got into me, and got me into. I don't know if i first took it because i wanted to impress him, or if it was some kind of acceptance ritual, but i think this album was was made me realize i could never again take Linkin Park seriously. Also, i'm not gonna say this was the first electronic music that i ever liked, that honor probably belongs to Everything But The Girl, but this album definitely made me realize exactly how much i appreciated the artistry of music without guitars.

2007: Black Light Burns - Kill the Queen

The only good thing that came out of being a hardcore fan of Limp Bizkit in my teen years is that i was in exactly the right position to intercept Black Light Burns when Wes Borland finally stopped fucking around and did something that tapped his full potential. Big Dumb Face was ok and all, but it was just a logical progression from Limp Bizkit; Black Light Burns was the departure that Wes really needed to make his mark on serious music.

When i got this album, i don't think it came out of my CD player for weeks, other than to move to another CD player. Weirdly, i remember listening to it as we helped Alyssa move up to Mauston; knowing the release date of Cruel Melody is the only reason i can remember what the timeframe of when our third wheel lived two hours away from us was.

Regrettably, this song is not actually on the disc; it was a bonus track that you had to have a Best Buy-exclusive download code to get off of their web site, which i had, because in 2007 i was still buying most of my new music at the big box store. Unfortunately, the hard drive i had downloaded these tracks to crashed a couple of years ago, and aside from the 2007 PAC, i had no access to this song for years before i finally, to complete the retrospective here, found a torrent of all of the Best Buy bonus tracks.

This song is so good, you guys.

As a side note, i would like to take a moment to recognize that all of the members of Limp Bizkit are actually, weirdly, insanely talented. All of them except for the one that everybody knows, Fred fucking Durst. Seriously, Limp Bizkit is like assembling the greatest football team that has ever lived and then hiring Gary Busey as the quarterback.

2008: A Place to Bury Strangers - I Know I'll See You

Here's another one we can thank Mike Cogley for. A Place to Bury Strangers have been called "the loudest band in New York," possibly because their guitarist, Oliver Ackermann, plays through seven amplifiers. At the time of this release, at least, their bass player was using four; that might not be true anymore. Their particular brand of loud, heavy shoegaze really hit me just the right way. This song in particular just means so much to me, so many things i can't put in words. I've seen APTBS twice now, and after the second, i actually got to shoot the shit with a heavily, heavily inebriated Oliver Ackermann afterward. He's a fun guy.

2008: Loudermilk - Blue Lucky Lucy

Loudermilk was a band that was way ahead of their time. They were unfairly lumped in with nu-metal when they hit the scene in 2002, but perhaps they'd have been better suited to The White Stripes' crowd, i don't know. Their major label debut, The Red Record, was something i picked up in much the same fashion as Human Waste Project, above. I knew their single Rock 'N Roll and the Teenage Desperation from some radio play and a series of compilations i did in high school called Music For Dumb White Guys, pre-PAC. It was another one that made a great case for my policy of continuing to pick up albums in that fashion, and i became obsessed with Loudermilk.

I'd end up spending years, half a decade, searching for a copy of their first album, Man With Gun Kills Three!, which had been a limited pressing of only 1,000. It's almost impossible to find. Early in 2008, very shortly before the New Zealand trip, i located one on eBay and plopped ten bucks on it. What came of this was a bidding war between me and somebody else, as unlikely as that seemed, and a lot of hemming and hawing on my part over whether it was worth continuing. In the end, after airing my trepidation on MySpace and receiving encouragement from friends to press on, i won the auction at $35. It's the most i've ever spend on a single CD, by far...i'm not even sure if i've bought boxed sets for more. But to this day i consider it the jewel of the Mobyfort.

This song, Blue Lucky Lucy, is used in my vacation movie Kiwiland, Ho! to represent our van, which we had named Lucy for unrelated reasons, and who happened to be blue, and had beaten impossible odds in many circumstances.

2008: Sleater-Kinney - O2

I have no idea why the 2007 Poor-Ass Christmas contains no Sleater-Kinney, as that was when i discovered them, a woeful six months after their breakup. Jason had burned me copies of The Woods and One Beat probably a couple years prior, but if i'd listened to them at the time, i don't remember. So in early '07, i was digging through a wallet of CD-Rs from various sources, and these came up again. Their impact on me was instantaneous. I acquired proper copies of their discography in short order, and would go on to spend the rest of 2007 and, indeed, the rest of the decade amassing as complete a collection of Sleater-Kinney bootlegs as i could; i had found my new favorite band scant weeks after S-K Torrents, a website devoted to that exact collection, had shut down.

So in 2008, i made up for the oversight of the previous year by including three Sleater-Kinney songs: O2, Banned from the End of the World (my favorite), and Turn It On. This is the only instance of a single artist having three songs on a single PAC (although a few years later i very nearly did it with PJ Harvey).

2009: Sneaker Pimps - Wasted Early Sunday Morning

Sneaker Pimps and i have the same story as Loudermilk and Human Waste Project, above. Becoming X is such a great album, it's so perfectly in line with everything i desire from music nowadays, defining "nowadays" as the post-The Knife's Silent Shout era (again, see above). More recently, i discovered that they had gone on to make more albums with a different vocalist after Becoming X; none of those did anything for me. Becoming X marks the spot.

2009: Biffy Clyro - A Whole Child Ago

In a similar story to Sleater-Kinney just two tracks ahead of this one, A Whole Child Ago has no business being left off of the 2008 Poor-Ass Christmas. The theme song to Kiwiland, Ho! and the lead-in to our years-long obsession with this band, this song came to us on the Kerrang! Best of 2007! compilation. I'm sure i've told this story many times before, in this blog and in others, but when we went to New Zealand in early 2008, i had loaded up my iPod with 30 gigs of music, intending to use a cassette adapter to run mp3s through the tape deck in the sedan we had rented. When we got to that pacific island, however, the rental company had given us a free upgrade to a van, blue lucky Lucy, who had a CD player rather than a tape deck. Which is great, generally, because fuck tapes, right? But we had no CDs with which to utilize this newfangled technology. We stopped at a grocery store for supplies, where i picked up a Kerrang! magazine, which just happened to contain that compilation disc. As we ventured outside of our journey's Point A, Christchurch, we found that once you leave New Zealand's larger cities, there is nothing for radio. We listened to that CD on repeat for A WEEK.

So really, 2008's Poor-Ass Christmas should have just been a copy of Kerrang!'s Best of 2007 compilation. But by the time i was assembling the PAC, i was so sick of everything on it that i just couldn't bear to immortalize any of those tracks in that way.

By 2009, i had come around. Another Biffy song, Living Is A Problem Because Everything Dies, had come my way via another compilation, and i finally broke down and purchased the album Puzzle. From there, it was a short trip into obsessively collecting all of their albums, most of which had not been released in the United States. This song remains the gateway to the geekery, as the AV Club would say, and it has absolutely all of the business being on the first ten-year retrospective.

2010: Them Crooked Vultures - Gunman

Them Crooked Vultures, for those who don't know or have somehow forgotten, was (is?) a supergroup consisting of Josh Homme (Queens of the Stone Age, Kyuss, Eagles of Death Metal), Dave Grohl (Foo Fighters, Nirvana), and John Paul God Damn Mother Fucking Jones (Led Zeppelin)...and sometimes Alain Johannes. Sorry, Alain. You've got some pretty big shadows to stand in. Their only album (so far?) was released just a teensy bit too late to make the cut for 2009, so i had begun my 2010 playlist before i'd even distributed the 2009 comp, with this as its lead track.

Them Crooked Vultures is another contribution to my life from Mike Cogley. I remember when they first hit the scene, Cogley was camping a web site anxiously at work, waiting for tickets to go on sale for a mystery show in Chicago. The only thing anyone knew about this show was that it was being advertised using three symbols: Jones's rune from Led Zeppelin IV, the "FF" logo from the Foo Fighters' Colour and the Shape, and the tuning fork from the cover of QOTSA's Songs for the Deaf. I think. Might be wrong about one or two of those. Anyway. The rumors were flying that these three had started a band together, but nobody knew for sure and they damn sure hadn't heard any of the music, but it had to be just bonkers, right?

Cogley didn't end up scoring those tickets, but once we heard New Fang, we knew we were both picking that album up on release day. And we did, and it was good.

2010: Metric - Gold Guns Girls

It certainly took me longer than it should have to find Metric, i'll tell you that for sure. But once i did...well, i've gone on public record saying that Gold Guns Girls is the greatest song in the history of recorded music, and i'll still stand by that today. This album, Fantasies, and its followup, Synthetica, are pretty much the bible of the type of angry girl-fronted heavy pop music that exemplifies most of my library anymore. I wish i had more to say, but as far as Metric goes, just listen. Let the music do the talking.

2011: The Adults - Nothing to Lose

Here's a New Zealand band that i was introduced to by a different coworker, Tammy Armbrust. Tammy and i have aligned on music better than i do with most people; she's also introduced me to other bands that have made prominent PAC appearances. This is such a cool song though, and a compelling video. I mean, it's such a simple video, but for some reason it's just kind of mesmerizing to watch.

In the four years since i came to know The Adults, though, i've been unable to obtain their album. You can't even order it online to be delivered outside of New Zealand.

2011: The Type - Same Sex Attraction

Just as Forever Virgins led me to Knife Party led me to Cats Not Dogs, Cats Not Dogs inevitably led me to The Type. In 2005 i had roadied with CND out to Waukesha, where they were playing a show with The Type, a band of friends of Jason's. It was The Type's first show, and the first time i met Jeri Casper, who i would end up playing with in another feline-themed band, Cats On Leashes, nine years later. In the intervening years, The Type would change names, break up, reform, and then rotate out the entire lineup other than Jeri, but once the album Sirens and Storms was released in 2011, they were in a prime position for that album to leave an indelible mark on Madison's rock scene. They won a MAMA (Madison Area Music Award; our own version of the Grammys, basically) for Best Alternative Album. Even before the album was released, this song had made a mark on me through live performances. In all seriousness, my favorite lyric ever comes from this song.

"Lost my shoes in a battle with God."

damidol ended up covering this one also, for Local Love Fest 2014. We recorded two songs that year, this one and Mighty Myrtle, and the latter ended up being used for the comp; our recording of Same Sex Attraction has never been released. It is the last song damidol ever recorded.

2012: Screaming Females - Buried in the Nude

Screaming Females are the only band since Sleater-Kinney to leave such an immediate, unmistakable impression on me. I downloaded No Idea Records' two free compilations, Pretend Record 1 and 2, which don't appear to be available on their site anymore. The first one featured this track, as well as Geometric Park by Pink Razors, and both of them were obvious additions to the 2012 PAC. But what really sold me on this band was when i had the opportunity to see them at the Rathskeller that summer, and, well, i already wrote pretty extensively about that.

2012: Beta Male - Are You Holden?

Christina and i share a brain. It's been proven over and over again. So she introduced me to her friends Beta Male, pretty much knowing exactly how their music was going to hook me. They were already broken up by that point, but coincidentally, they ended up doing a reunion/final farewell show just a few months later. My first Beta Male show was their last show. But i was grateful for the opportunity to actually see them.

2013: Baristacide - I've Been Waiting for All You Fuckers

I first met Baristacide at the Wisco during an incident involving an entire bottle of Mrs. Butterworth's. We quickly became awkward acquaintances, and i started making myself present at more and more of their shows. As this song started to enter their rotation, i began to look forward to it. Honestly it might be all the F words, or it might be the beautiful absurdity of the line "We made a god and we named him Greg," but i think it's just the overall character and energy of this song that really attracts me to it.

I like to think we're slightly less awkward these days.

2013: Ellie Goulding - Lights

Don't think about it. Just listen, immerse yourself, and feel. It's all i can do every time i hear this song - every time i hear Ellie Goulding at all, really.

Trevor's Poor-Ass Christmas: Decade One Retrospective Track List

2004
1. Le Tigre - Deceptacon
2. The White Stripes - Dead Leaves and the Dirty Ground

2005
3. Cats Not Dogs - The World's Fair 1962
4. Yasushi Ishii - The World Without Logos

2006
5. Agent Sparks - Camouflage
6. Human Waste Project - Dog

2007
7. The Knife - We Share Our Mothers' Health
8. Black Light Burns - Kill the Queen

2008
9. A Place to Bury Strangers - I Know I'll See You
10. Loudermilk - Blue Lucky Lucy

2009
11. Sleater-Kinney - O2
12. Sneaker Pimps - Wasted Early Sunday Morning
13. Biffy Clyro - A Whole Child Ago

2010
14. Them Crooked Vultures - Gunman
15. Metric - Gold Guns Girls

2011
16. The Adults - Nothing to Lose
17. The Type - Same Sex Attraction

2012
18. Screaming Females - Buried in the Nude
19. Beta Male - Are You Holden?

2013
20. Baristacide - I've Been Waiting for All You Fuckers
21. Ellie Goulding - Lights

Tuesday, September 22, 2015

Potential Cover Art 2015


Pagans in Vegas

I'm, uh...not too sure about this new Metric album...

It's been a couple years since i've preordered an album. You pretty much should only do that when it's basically a sure thing that you're gonna like it, right? Metric has never let me down before. Their last two albums, Fantasies and Synthetica, are damn near perfect and are two of my favorite albums of all time.

Pagans in Vegas, though...

Hmmm.

Thursday, August 27, 2015

Soup

Like most people, most snobs i guess, since i'm probably kind of one at least a little bit, i never gave Blind Melon much of a chance. Back in my college days, my first college days anyway, i was diving into the dollar bin at Half-Price Books almost weekly, and buying almost anything recognizable. It probably stemmed from a desire to outdo my dad's music collection at the time, and while i've certainly won that race by now, i'm not sure what it's gotten me. That was so many layers of digression we could call it a cake and it'd be a full meal.

So during those halcyon times, on one of those aforementioned expeditions, i fished out Blind Melon's self-titled first album. It never got much play, other than to slide No Rain onto my obligatory 90s alternative playlists. If i listened the whole way through the album, it never resonated with me. But for some reason, i've always been a completist, a habit i'm kind of trying to curb nowadays, and i also collected the followup, Soup. If Soup ever even touched my CD player, i do not recall it.

But here i sit, in the Year of Our Lord Two Thousand and Fifteen, an avid reader of The Onion's more serious but still foul-mouthed entertainment arm, AV Club, consuming a series of articles taking a look back at the world of twenty years ago, and a long article extolling Soup appears. I was more than a little surprised; i had previously felt of Blind Melon that sugary, pop-infused hippie vibe Steven Shehori describes at the end of the article's first paragraph. It didn't seem like the sort of entertainment The AV Club would, well, entertain.

I read the full article and i felt a little bad about my treatment of the band over the years, by which i mean completely ignoring them save for their one diabetic coma ballad. There was clearly more to unpack here. So i set about doing that.

The Mobyfort, of course, still contains virtually every CD i've ever purchased; when i was in high school i made the mistake of selling off an album i didn't like that would later become very important to me (Boys for Pele by Tori Amos). I simply hadn't understood it at the time. So i had vowed to never make that mistake again, a promise to myself which has paid off on more than one occasion. cKy, for example, had an album i didn't appreciate when i first bought it; since a track popped up when my iTunes was on shuffle one day, they've become one of my favorite bands. Elastica falls into this category. I'm probably going to have to write something up about Sunny Day Real Estate this year, too, because damn. So, i put on all of the Blind Melon i had and listened to it.

A couple of times.

That AV Club article was pretty eye-opening to me. Soup deserved to be a classic. It's truly saddening that the politics of the record industry did to that band what they did, although wholly unsurprising. Toes Across The Floor should have been Blind Melon's big 90s hit, over No Rain. There's so much raw power in that song that i wasn't expecting. Even Galaxie, the only charting track from the album, could've taken that honor under better circumstances. It may have fared better overseas, but the reactions at home were still not what the band deserved. Shannon Hoon's death was every bit a blow to music as a whole as Kurt Cobain's was; we just never saw it that way before. All in all, though, there's not much i can say here that the AV Club didn't say better.

I'm gonna go listen to this in my van for a while.

Thursday, August 13, 2015

Too Formidable to Resist

Most years, there's that one album i just listen to so many times that the Poor-Ass Christmas may as well just be a copy of that album. 2008 was Kerrang!'s Best of 2007, for example, although in the end i was so sick of it that none of those songs made the cut. 2012 was very nearly t.A.T.u.'s Waste Management. This year, that album is Wolf's Law by The Joy Formidable.

I don't know why it took me so long to get to this point. I first came into contact with The Joy Formidable three years ago when i went to see A Place to Bury Strangers open for them, and they blessed me with one of those performances where every single note rips through your flesh and embeds itself in your heart, reminding you why you love music. Why i didn't buy their album at the show, i don't remember, but Finding Wolf's Law in the clearance bin at Half-Price Books this year was excavating treasures from the tomb. Even the guy at the register was astounded by my find. 

It would seem that i listened to it (probably on Spotify) and didn't like it at the time. Well, if i could send a message to past me, it would be "you are wrong." All of their albums are fucking balls-out epic. And i mean that exact word. "Epic" is a term that gets abused frequently on the internet, but i think it's wholly appropriate here. Each of their songs has such an enormity to it that getting swallowed up in the music is less of an option and more of an inevitability. When they named their first major release "The Big Roar," it was an accurate description of what the package contained.

So i don't know what's going on the PAC this year from Wolf's Law. I think i've narrowed it down to Maw Maw Song, Little Blimp, or Bats. The first of those is my favorite, but it's also almost seven minutes long, which is a pretty big chunk of real estate on one of these comps. That won't necessarily stop me, though.

(I also wouldn't totally count This Ladder Is Ours out yet, either.)

Monday, August 10, 2015

The Way I Feel About You (Armed Love)

The (International) Noise Conspiracy became one of my favorite bands so slowly, so subversively, that i didn't even notice until last month that they've probably been high in that pantheon for years.

They were among the handful of bands that i brought back with me from New Zealand in 2008, having a track on the two-disc Punk-O-Rama volume 8 compilation that defined the second week of our journey. Why that track (A New Morning, Changing Weather) didn't make the 2008 Poor-Ass Christmas, i'm unsure. Probably because by the time i assembled that comp, i was so sick of hearing those songs that i wanted as little representation from Punk-O-Rama 8 and Kerrang! Best of 2007 as possible. This was a mistake. Shit, the PAC that year probably just should have been a direct port of the Kerrang! disc. But as it stands, even Biffy Clyro's A Whole Child Ago, the Kiwiland, Ho! theme song, had to wait a year for inclusion on the 2009 comp, the year The (International) Noise Conspiracy called it quits.

Over the next couple years, i obtained a few T(I)NC albums as they came available in Half-Price Books's dollar bin, and they gradually received more and more rotation through the CD player, and when i eventually set up the digital Mobyfort, through that. It was noticeable enough in 2013 that the song Smash It Up landed on the PAC that year, but at that point i really just thought it was that song that was really doing something for me.

But it took another road trip with accidentally limited musical selection before i finally figured out the truth. I drove across Ontario in July of this year, just me and my dog, to enjoy nature, unplug from the internet and the rest of human society for a while, clear my head, and get some work done. I loaded up my iPod with music for the trip, and then, in my mad scramble on the Tuesday i left to get everything together and thrown into the van, i forgot the aux cable i needed to play the damn thing through the van speakers. This left me, for the first day and a half, with only two albums in the car to listen to: The Buzzcocks's Singles Going Steady, and The Rolling Stones's Sticky Fingers, the fancy two-disc reissue that had just come out. Both of these were in the van by accident; Singles Going Steady simply because it was left in the CD player when i unloaded everything else before the trip, and Sticky Fingers because i'd just picked it up at Target the night before and hadn't brought it into the house.

When i finally managed to pick up an aux cable a day and a half later - and then only by compromising my morals and stepping into a Wal-Mart - i got on the road and the first thing i put on my iPod was The (International) Noise Conspiracy.

And that's when i realized my true feelings for those four boys from Sweden.